This ornate and mellifluous votive antiphon is one of the earliest surviving works in the five-part texture that became standard in English church music until the Reformation. Horwood first appears as a London church musician in the late 1450s; as choirmaster at Lincoln cathedral between 1475 and 1484 he pioneered the modernisation of the choir and its repertory. One of AnticoÔÇÖs transposed editions of Eton choirbook music written at an unusually high or low pitch. For five voices: SATBB. viii + 16 pages. ISMN 979-0-57039-150-9.