A setting for male voices of an otherwise unknown poem exploring MaryÔÇÖs thoughts on witnessing the crucifixion of her son. Despite the tragic mood of the text the music has a strikingly radiant quality, and its sense of cohesion and subtle vocal interplay are typical of its composer. One of AnticoÔÇÖs transposed editions of Eton choirbook music written at an unusually high or low pitch. For four voices: TTBB. vii + 16 pages. ISMN 979-0-57039-152-3.