John Browne was probably a member of the household chapel of John de Vere, Earl of Oxford, a staunch supporter of the Lancastrians and Tudors and one of the richest men in England. This setting for male voices—tenor, baritone and bass—of a Marian antiphon text often set by English fifteenth-century composers has the richness, intensity and solemnity characteristic of Browne’s music for this medium. One of Antico’s transposed editions of Eton choir­book music written at an unusually high or low pitch; a transcription at source pitch is also included in order to show the evidence upon which the editorial interpretation of the accidentals in the piece is based. For five voices: TTBarBB. vi + 36 pages. ISMN 979-0-57039-159-2