The seventh volume in our complete edition of MarbrianoÔÇÖs music contains three individual movements, all apparently dating from fairly late in the composerÔÇÖs career. The four-voice Kyrie in honore Beatissimae Virginis (ATBarB) is founded upon a series of two-in-one canons between various voices at various intervals and distances, and quotes from the plainchant Kyrie IX. The four-voice Credo Le serviteur (AT/BarT/BarB) has a double cantus firmus, ingeniously combining the tenor part of DufayÔÇÖs chanson Le serviteur hault guerdonn├® with the Credo I plainchant. The five-voice Credo Sine nomine (SAATBar/B) is based on the Credo IV plainchant and is quite strongly imitative. x + 29 pages. ISMN 979 0 57039 138 7.